FRASER HOOPER

Camp Ground Chaos Fraser HOOPER-min
Fraser Hooper Directing-min (1)
Mr Fungus Returns Fraser Hooper-min

DIRECTOR

Fraser has become a much sort after director working with artists worldwide developing and creating highly original shows. His thirty years performing experience in theatres, street festivals and circus has put him in a unique position to help artists develop their work.

His career started early aged five doing clown shows in his back garden playing to all the neighbourhood kids. His passion for performing developed and he followed his dream first getting work on the London cabaret circuit in the late 80s. Since then his shows have been seen in over forty countries. His early influences lie in British TV comedy, the silent cinema and watching the great theatre and circus clowns. An avid collector of clown books and videos Fraser has amassed a huge archive which provides an invaluable source for research and inspiration. A lifetime devoted to making people laugh has enabled him to help other clowns, musicians, actors and puppeteers make work that is highly accessible, very visual and extremely funny.

One Month Show Creation

Every show is unique and many productions need a lot more than a month to get them to fruition. A month is the minimum recommended time required to make enough material for a forty five minute outdoor show or a one hour indoor show. It starts with a THREE DAY JAM, see below. Then in the rehearsal room Fraser concentrates on helping the artists release their vision and tell their story. They quickly create visual pictures that form the material for the show based on their original ideas. The first two weeks are spent improvising, generating ideas around the theme of the show. The third week the material is honed for performance and the forth is spent testing it out. It’s preferable to have a showing of a work in progress to friends or an invited audience at the end of the third week so the final week is free to rework anything that needs changing.

One Week Show Development

This is a great way to delve deeper into the work and generate heaps of material. It is a time to build routines, expand and research the shows main themes. It is not enough time to hone the material but Fraser will work closely with the artists by email, video and skype feedback after the week has finished to help the project become a reality. Each day consists of improvisation, writing, picture drawing, reflection goal setting and rehearsal. If appropriate an informal showing can be arranged on the penultimate day. Video is used to record the work in progress.

“I was thrilled to work with Fraser as collaborator and director of a new show ‘Mr Fungus Returns’ for the NZ Fringe in Wellington, 2019. Fraser not only enabled me to truly explore my character in a refreshing way, he inspired me to keep on with the journey of finding new material and developing this show. I found Fraser very calm yet enthusiastic to work with, he really listened to what I was hoping to achieve and masterfully led me into new realms of possibility while also tactfully letting me decide which options made up the resulting show. I’m looking forward to further development of this show, and other projects with Fraser… he is a remarkably knowledgeable and skilful director, teacher and performer…”

Fergus Aitken  www.fergusaitken.co.nz

“Fergus Aitken and director Fraser Hooper deliver the goods. This is engaged, smart and skilled physical humour for all ages. A real gem.”
Theatre Review NZ on Mr Fungus Returns

 

Three Day Jam

This is a great opportunity to try out some ideas, refresh old ones, or work on one or two particular routines in more depth. In other words it is a time to generate new material or look at news ways to work the artists existing material. It can also provide an intensive practical workshop where the artist’s work with Fraser in a studio “jamming” ideas around their vision for a new show. It’s a great way for companies or individuals to assess if he is the right director for the job. Having three days with no obligations to go forward on both sides builds trust so the right decisions are made. It allows Fraser to see what the company needs and informs the artists how well they all work together and how their project could develop.

“Fraser Hooper is clever, humble and passionate as a person…unpretentious, authentic and original as an artist. His knowledge and compromise about clown made working with him a joyful revelation. Departing from the artistic respect and personal empathy he made me not only to reaffirm my own way and style but also to open my view to endless possibilities and to a different perspective of creation… not based in “what” but in “how”.

Samuel Penhastro aka Thelmo Parole   www.thelmoparole.com

Skype directing

This is useful when it’s not possible to meet in person.
Artists or companies supply a video of an existing show or a written idea of what they want to make. Then three one and half hour Skype video sessions are arranged usually over one month. Fraser gives detailed feedback on the video and sets an action plan of how to develop the piece. The second and third sessions are used for reflection after ideas have been tested. New plans and goals are then put in place. Fraser works carefully with the artists to make sure their visions are realised as closely as they see them.

Mentoring

Over the years Fraser has worked with many artists helping them develop their careers. His knowledge of festivals, clowns, promoters and especially the outdoor entertainment industry has made him an invaluable resource to help artists reach their goals.

“Having Fraser as my mentor during 2017/18 was an absolute dream. Fraser’s insider knowledge for the world of clowning, street performing and touring is invaluable. I’m almost speechless at how much he helped me! I will say this: Fraser would always listen to me respectfully, he would offer no BS responses, he would bring valuable insights to brain storming game plans, and I would leave our sessions with the confidence and the enthusiasm to keep trying to make the world laugh.

I never felt like I was annoying Fraser with any question, big or small. It would be easy to feel intimidated by Fraser’s insane knowledge in the world of clown, but being mentored by him was motivating and made me realise that we are always learning and failing and just trying to get a laugh along the way. Fraser is a true master at the world of clown and touring and it is impossible to not feel inspired after every conversation.”
Jess Brien     www.jessbrien.com

2019 Developmental work for Flame Oz UK

2019 Developmental work for Margherita Mischitelli Italy

2019 Developmental work for Sam Goodburn Tea and Biscuits UK

2019 Developmental work for Samuel Peñastro UK

2019 Developmental work for Matthias Romir Berlin Germany

2019 Developmental work for an indoor playspace for Capital E New Zealand

2018/19 Directed Fergus Aitken Mr Fungus New Zealand

2018 Directed Grace Billings hula hoop street show, New Zealand

2018 Development work Nick Tansley New Zealand

2017 Directed Sam Goodburn Dumbstruck New Zealand/UK

2016 Directed Mighty Mike a strong man show New Zealand

2016 Development work for MOE New Zealand

2016 Development work for Paul Morocco Italy, UK

2015 Development work for Asher Treleavan and Gypsy Wood show Australia

2014 Development work for Vinyl Burns Theatre show New Zealand

2014 Development work for Billionairz Cobra, street show Australia

2014 Development work for Magic Brian, theatre Show Australia

2014 Development work for Asher Treleavan, stand up show Australia

2014 Development work for The Boy with Tape on his Face TV and theatre show Australia

2014 Development work for Sharon Mahoneystand up show Australia

2013 Directed Oskar & Strudal A clown duo Switzerland

2013 Development work for Steve Cousins UK

2013 Director for Jessica Arpin A clown theatre show NZ, Italy, Switzerland

2013 Development work for Tamara Campbell UK

2012 Development work for Toni Smith A hula hoop show New Zealand

2012 Development work for Caducus a due stunt show Canada

2012 Development work for Jessica Arpin A solo cabaret show Canada

2012 Development work for Miss Behave A female sword swallower New Zealand

2012 Development work for Ernesto The Magnifico A solo street show New Zealand

2011 Clown director for Camp Ground Chaos Fuse Circus. A five person circus show, NZ

2011 Directed Open House An indoor circus show based in a real house for
          The Pitts a circus Family Lismore Australia

2011 Directed Aomega for Dan Nimmo New Zealand

2010 Directed Shirlee Sunflower and The Great Dave’s magic show Australia

2010 Directed Two Late Night Madness Cabarets Edmonton St Festival Canada

2009 Development work for Swank a small scale street show UK

2009 Development work for Mario Queen of the Circus a statue show UK

2009 Development work for Jon Hicks for Elephants UK

2008 Directed The Von Trolley Quartet a circus clown street band France

2008 Co-directed The Pre show for Toyota car launch at The XL Centre UK

2008 Directed Reckless Invention a small scale street show UK

2007 Directed “Grimm Jam” for Monkeyshine in Dublin Ireland

2006 Directed Two Frocks An Australian cabaret duo UK

2003 & 2005 Directed Street acts from Streetwise Northern Ireland

2003 Co-Directed Home from Home Polka Theatre Wimbledon UK

2002 Directed Gemcatchers a water safety clown theatre show UK

2001 Directed Wind People for RinTinTin a street theatre mask show UK

2001 Directed Clowning by Numbers Circus Space London UK

2000-1 Directed Chambers & Nettleton a cabaret show for the London circuit UK

1999 Directed and performed in Three Men and a Duck, New Zealand

1997 Directed Hallelujah! a clown theatre show for 12 performers UK

1996 Directed BTEC students in the clown show Ratatouille at Circus Space UK

1995 Directed Getting Nosey for children’s theatre company Kazzum UK